Ray gun magazine

To wit: soul patches, Vanilla Ice, tribal tattoos, toe rings, the swing-dancing craze, and.

From my hotel room in Frankfurt. Right side remainds me of Rothko a bit Digital print from 35mm photograph on archival paper by David Carson Branding Carson. This was the graphic-designer-as-rock-star, living an itinerant life of wall-to-wall airport lounges, luxury hotel rooms and limousines-before Carson, only British designer Neville Brody had come close to occupying such a rarefied position. But what else could be expected from someone whose work teeters precariously between the usually well-defined bound-aries of art and graphic design? Some six years after The End of Print was first published, David Carson is still managing to maintain his controversial position.

Ray gun magazine

Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance. In terms of content, Ray Gun was also notable for its choices of subject matter. Ray Gun produced over 70 issues from through Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

Ray Gun: The Bible of Music and Style by founding publisher Marvin Scott Jarrett who later went on to start Nylon is a page coffee-table tome filled with covers, layouts, photos, and occasionally text from a ray gun magazine once as infamous as it is now mostly unknown. Founded inthe last issue was published at the tail end of

Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Visually it was awesome and, somehow, it worked. In January , just eight years after it started, Ray Gun was over, with Jarrett shutting the cult magazine down to focus on other projects including Nylon , which he founded in We were just doing our own thing and I think because it was authentic it ended up making a lot of noise, which was fantastic.

Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Visually it was awesome and, somehow, it worked. In January , just eight years after it started, Ray Gun was over, with Jarrett shutting the cult magazine down to focus on other projects including Nylon , which he founded in

Ray gun magazine

From my hotel room in Frankfurt. Right side remainds me of Rothko a bit Digital print from 35mm photograph on archival paper by David Carson Branding Carson. This was the graphic-designer-as-rock-star, living an itinerant life of wall-to-wall airport lounges, luxury hotel rooms and limousines-before Carson, only British designer Neville Brody had come close to occupying such a rarefied position. But what else could be expected from someone whose work teeters precariously between the usually well-defined bound-aries of art and graphic design?

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Sonic Youth were the quintessential, archetypical, post-punk noise band from that time, so obviously they were in, it just made sense. Hidden categories: Articles with short description Short description matches Wikidata Articles needing additional references from September All articles needing additional references Use mdy dates from November Use American English from November All Wikipedia articles written in American English All articles with unsourced statements Articles with unsourced statements from April Digital print from 35mm photograph on archival paper by David Carson Branding Carson. Ray Gun: The Bible of Music and Style by founding publisher Marvin Scott Jarrett who later went on to start Nylon is a page coffee-table tome filled with covers, layouts, photos, and occasionally text from a periodical once as infamous as it is now mostly unknown. You bet it did. Archived from the original on February 10, Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. I spent a lot of time delving into this for the book and it never gets easier. Smashing Pumpkins. Visually, this work is not so very different from the early image-making he did for Ray Gun-the collages constructed out of elements of found paper, printed graphic ephemera or blurred photographs that highlight the graphic minutiae of the street. Toggle limited content width. Rizzoli New York.

David's design is a language, not a style.

Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. The Awl. My Life with the Thrill Kill Kult. Kelly, New York Post, January 20, Dazed media sites. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Did that design sometimes make the actual words on the page difficult to read? Toggle limited content width. Or is this merely the next logical step in his brilliant career? Visually, this work is not so very different from the early image-making he did for Ray Gun-the collages constructed out of elements of found paper, printed graphic ephemera or blurred photographs that highlight the graphic minutiae of the street. Ray Gun produced over 70 issues from through Right Side reminds me of Rothko, a bit. One of the best things about making a magazine is turning people onto different music and new cool things they might not have otherwise heard about. Otherwise, I love the Jesus and Mary Chain cover for some reason, just the little picture of the brand and the typography is really cool.