Voirserie tv

Film lovers examine the cinematic moments that thrilled, perplexed, challenged and forever changed them in this collection of visual essays. Sign In Sign In, voirserie tv.

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Voirserie tv

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Film lovers examine the cinematic moments that thrilled, perplexed, challenged and forever changed them in this collection of visual essays. For Sasha Stone, summer evokes endless days, first kisses, "Jaws" on repeat — and the start of a long love affair with the movies. Forever changed after seeing Park Chan-wook's "Lady Vengeance," Tony Zhou breaks down the uneasy perils and pleasures of revenge. Love "Lawrence of Arabia," but can't embrace its protagonist? Drew McWeeny examines likability and the monsters we're drawn to in the dark. For animators like Glen Keane, appeal means harmony in design. It's also led to narrow beauty standards for female characters — and new challenges. How has film's challenging storytelling held up against the small screen's welcoming character arcs? Digital changed it all, says Taylor Ramos.

Voirserie tv

We TV critics like to grind our favorite shows into a fine powder, looking for trends, symbolism, clues and other things we think real fans would see. But movie critics and reporters take this to an even higher level, relating film to the nature of our very existence as a species. Opening Shot: Narrator Sasha Stone sits in a darkened movie theater looking at a reenacted scene from her childhood. David Fincher and David Prior are the executive producers, and they employ a number of directors and writers to produce these essays, incorporating clips from the movie or movies that are being discussed. Stone tells the story from a personal perspective, of how she and her sister would go to the the theater to see it and stay there all day. But going to see the film was also an escape for them, as her mother was in an abusive relationship that often meant that the two of them were subject to getting abused themselves. To Stone, that ability for Jaws to sweep her away from all that is as big a contributor to her love of film as anything Spielberg did. Our Take: Voir plays out mostly like a visual NPR story or something we might hear on a narrative podcast. But what we wonder is what Fincher and Prior are trying to actually accomplish with these video essays. Some seem personal, others seem explanatory, and still others seem to be a combination of the two.

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