The gift horror movie

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Over the last half-decade, producer Jason Blum has turned out more than 40 films, the majority of which have made back their small budgets several times over. How do you build an empire from such disparate films? The trick, it seems, is knowing how to position them. Take the trailer for recent offering The Gift. With its well-worn slasher scenario a middle-class home under siege and constant clap-bang scares, the teaser promises viewers a familiar brand of mainstream horror.

The gift horror movie

They run into Gordo Edgerton , an ex-classmate from Simon's childhood, and politely make small talk and feign interest in catching up with no intention of actually doing so. Gordo, however, has every intention of making it happen and continually shows up at their home unannounced, always when Robyn is home alone. As Simon grows more and more irritated, Robyn does some digging and begins to suspect that Simon is hiding something sinister from he and Gordo's past. The real horror of "The Gift" has nothing to do with the jump scares, although they are incredibly efficient and well-paced for a debut feature. The stakes run deeper than the surface level 'imposing stalker' angle — what's more unsettling than discovering deep, dark secrets buried in your spouse's past? The quiet, human moments in which the characters grapple with their realities are far more disturbing than any of the loud crashes and bangs. The drama here plays out like a great stage play, where the internal conflict and tension between the characters is the real driving force. Careful attention is paid to backstory and detail, and Edgerton's script does a masterful job of revealing character intricacies at the opportune time for maximum dramatic effect. The film's third act is particularly memorable and a satisfying conclusion to all the build-up. Nothing is spoon-fed here, and Edgerton is great at "showing" the audience what's happening visually rather than "telling" with clunky exposition. The film aggressively tries to keep the audience guessing — Edgerton often presents something that changes the stakes in one sequence only to expand upon and turn it on its head in the next. None of this misdirection feels manipulative or cheap and only further serves the constantly bubbling sense of tension and unease. Read next.

Mirrah Foulkes Wendy Dale.

The Gift is a American paranormal thriller film directed by Sam Raimi , with a screenplay written by Billy Bob Thornton and Tom Epperson based on the alleged psychic experiences of Thornton's mother. The film centers on Annie Cate Blanchett , who becomes involved in a murder case after she has a vision. In Brixton, Georgia , widow Annie Wilson is a clairvoyant who has visions of her late grandmother. When Annie receives a vision that Jessica has been killed and her body thrown into a pond, she informs local sheriff Pearl Johnson. Despite his skepticism, Johnson searches the pond at the home of Donnie and Valerie Barksdale. Valerie is one of Annie's clients. Donnie has repeatedly threatened Annie and her three children, because Annie advised Valerie to leave him due to his abuse.

The Gift is a American paranormal thriller film directed by Sam Raimi , with a screenplay written by Billy Bob Thornton and Tom Epperson based on the alleged psychic experiences of Thornton's mother. The film centers on Annie Cate Blanchett , who becomes involved in a murder case after she has a vision. In Brixton, Georgia , widow Annie Wilson is a clairvoyant who has visions of her late grandmother. When Annie receives a vision that Jessica has been killed and her body thrown into a pond, she informs local sheriff Pearl Johnson. Despite his skepticism, Johnson searches the pond at the home of Donnie and Valerie Barksdale. Valerie is one of Annie's clients. Donnie has repeatedly threatened Annie and her three children, because Annie advised Valerie to leave him due to his abuse. The police find Jessica's body in the pond and Donnie is arrested for her murder. While giving Annie a lift home, her friend Buddy Cole bursts into tears. She gives him a washcloth that belonged to her husband.

The gift horror movie

A fortune teller with extrasensory perception is asked to help find a young woman who has mysteriously disappeared. Buddy : Sometimes I don't know the difference between my head and my soul. Sign In Sign In. New Customer?

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Parent of 5 and year-old. The real horror of "The Gift" has nothing to do with the jump scares, although they are incredibly efficient and well-paced for a debut feature. Powered by Alexa. Gordo invites them and another couple to his large home, but, when the Callems arrive, he tells them the other couple cancelled. August 10, Theatrical film poster. Read more. The Gift. Gordo states merely that people will get what they deserve and he exits. Directors Guild of America Awards. Edgerton has some great weird vibes. Retrieved April 2,

A married couple, Simon and Robyn, run into Gordo, an old classmate. Things take a turn when Gordo begins to drop in unannounced at their house and inundates them with mysterious gifts.

All Rights Reserved. Robyn confronts Simon but he denies responsibility. The Guide cover. Simon doesn't approve of Gordo visiting them, even crossing his name out over his phone number on the fridge and writing "Weirdo," as that was Gordo's nickname in high school. The film centers on Annie Cate Blanchett , who becomes involved in a murder case after she has a vision. Gordo could have taken the high road over Simon as the alternate ending implies, but the fact that the emotional core of the film remains in Simon's shock, horror, and uncertainty is largely why The Gift is such a successful thriller. Tools Tools. The Wall Street Journal. The Gift R 1h 48m. User reviews Review. Allison Tolman Lucy. The project was announced in August , with Joel Edgerton writing the screenplay and Edgerton set to make his directing debut. Edgerton nails the boyish adoration and sheepish self-consciousness of the man and concocts a delicious contrast between the two primary characters at the heart of the tale. Gordo : See, you're done with the past, but the past is not done with you.