Robbie vincent

Robbie was a journalist who gained popularity on the airwaves as robbie vincent of BBC Radio London's favourites, joining the station in to present his famous phone-in show.

Greetings fellow soul survivors. Like many of my then teenage generation of the late s and early s, I grew up listening to Robbie Vincent Saturday morning Fast forward to and having started the Soul Survivors Magazine with former co owner Anna Marshall, we mutually agreed at some point interviewing Robbie Vincent was on top of our hit list and was one of the most requested from our readers as a future feature. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment.

Robbie vincent

Robbie Vincent is a deejay who influenced many listeners to Soul Music, long before the days that the deejay would, themselves, become superstars. To pinpoint quite why he is held in such high esteem with those Soul fans in the South East of the U. That is simply timing. He was on the radio, during a period of great change within musical circles. The Sixties had left a musical void with the demise of the Fab Four and the departure of the Holland, Dozier, Holland team from the Tamla Motown stable. With a fresh musical canvas to work upon, artists could experiment with styles. Stevie collaborated with the Tonto's Expanding Headband guys, Jazz courted Rock and Soul and we were served up the fusion sound of the mid Seventies. Robbie was deejaying on Radio London during this period. His show didn't, actually, comprise of Soul Music at the outset. In fact he allocated his final hour of the show for Soul and Dance music in it's early incarnation , with the rest of the show comprising of, what we would describe today as, 'Soft Rock'. Little Feat, Steely Dan etc. His show evolved into a purely Soul Music format as the years passed. Later the terms Jazz and Soul almost became obsolete as the Black and Blue Eyed Soul performers umbrella grew to accommodate all of these genre's. Robbie broke many a melody, which would send out the stations listeners to various Black Music retailers such as Record Corner or Groove for the imports they had heard on Robbie's show an hour or so earlier.

Here is a segment of our exclusive at the time interview with Robbie, robbie vincent. Robbie was deejaying on Radio London during this period.

As a champion of jazz, funk and soul music in the UK during the late s he made an important contribution both live in clubs and on radio. The teenaged Robbie Vincent moved up from newspaper messenger boy, aged 15, to print journalist reporting for the Evening Standard on the trial of the notorious gangsters, the Kray twins , and from the troubles in Northern Ireland. With a potential audience in Greater London of 7. During the miners' strike of early and the resulting three-day week that limited the nation's consumption of electricity, Vincent was hosting a new style of show called 'Late Night London' and playing devil's advocate with listeners who called in by telephone to air their problems or opinions. The programme was broadcast late in the evening and was among the first to establish the format for the radio phone-in in the UK. As the TV shut down the lights went off, radio really triumphed, and my evening phone in succeeded beyond all expectations.

Photographed by Roger G Clark. The soul tribes of Britain saw white and black kids gathering together in underground clubs discovered only through the grapevine, and often unlicensed for alcohol. On dancefloors across the land, the acrobatic tribes competed to improvise the wildest dance moves and to build the highest human pyramids. None of this could have been imagined in America, with its strict apartheid between black and white music, and limited chances even for Motown artists to cross over into mainstream charts and playlists. Vincent was one of three deejays who soon headed what became known as the Soul Mafia working in London and the south-east and bringing real pressure to bear on record companies to release quality US acts in the UK. For a while, and encouraged by Hill, the Gold Mine had the monopoly on GI uniforms and scarlet-lipped jive-dolls during its Glenn Miller and swing revival. As a club deejay Vincent was the least theatrical in his presentation. The destructive effect of the dire film Saturday Night Fever and its musically inane Bee Gee soundtrack cannot be overstated as its infection swept the globe in Dressing up for the dancefloor: toga parties were popular on the soul circuit, here in at Papillon club, Brighton.

Robbie vincent

As a champion of jazz, funk and soul music in the UK during the late s he made an important contribution both live in clubs and on radio. The teenaged Robbie Vincent moved up from newspaper messenger boy, aged 15, to print journalist reporting for the Evening Standard on the trial of the notorious gangsters, the Kray twins , and from the troubles in Northern Ireland. With a potential audience in Greater London of 7. During the miners' strike of early and the resulting three-day week that limited the nation's consumption of electricity, Vincent was hosting a new style of show called 'Late Night London' and playing devil's advocate with listeners who called in by telephone to air their problems or opinions. The programme was broadcast late in the evening and was among the first to establish the format for the radio phone-in in the UK. As the TV shut down the lights went off, radio really triumphed, and my evening phone in succeeded beyond all expectations. In , Vincent was pursuing his own tastes by also hosting a music show on the same station over Saturday lunchtimes.

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He jointly presented the show on several occasions when he brought in all the music. He played imports, promos, new releases and the soul anthems that were filling dance-floors at cutting-edge underground clubs such as Flick's in Dartford and The Gold Mine on Canvey Island. Share This Post. Beyond hosting some of the very best soul shows of all times, Robbie promoted numerous artists and virtually single-handeldly changed the face of soul and jazz funk in the UK. It was different and good it really was, and not until you stop doing it do you realize how appreciated it was as they never really said at the time. Article Talk. Long story short Robbie was unable to get upstairs to the VIP area. His show didn't, actually, comprise of Soul Music at the outset. Later the terms Jazz and Soul almost became obsolete as the Black and Blue Eyed Soul performers umbrella grew to accommodate all of these genre's. Fast forward to and having started the Soul Survivors Magazine with former co owner Anna Marshall, we mutually agreed at some point interviewing Robbie Vincent was on top of our hit list and was one of the most requested from our readers as a future feature.

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If you would like to join the Campaign To Bring Back Robbie Vincent, or otherwise discuss this article, correct any mistakes, add anything to this review or come on board as one of our musical editors, then visit our "Talk" section now. Here is a segment of our exclusive at the time interview with Robbie. By , he found himself presenting the breakfast show at Jazz FM Read Edit View history. He acted as their sole personal manager until the band split in But Robbie fans will be more interested in Volume 5, in which we were treated to 12 jazz funk gems which Robbie "carefully selected so that only the best reach the turntable" in Robbie's own words. Retrieved 29 November Well done Jazz FM for a superb new line-up. That is simply timing. Read and enjoy…Fitzroy. His night-time phone-in show was one of the highest rated programmes on the station. The programme was broadcast late in the evening and was among the first to establish the format for the radio phone-in in the UK.