Native instruments razor review

Press Release: Native Instruments today introduced Razor, an innovative and highly kin rotten tomatoes software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production, native instruments razor review. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5.

A lot of VST synths are trying to recreate and preserve the past. This made a lot of sense until the big analogue synth revival started about eight years or so ago. Now, in , we're practically tripping over new, affordable analogue synths from Korg, Arturia, the modular manufacturers and so on. Part of me has always thought that really, computers should be used to do things that are still impossible in the physical domain. Razor is such a synth. Because it uses hundreds of partials to craft its whole sound - from the oscillators to the filters to the reverbs - it's a synth that simply couldn't have existed in the 80s or 90s.

Native instruments razor review

Razor is an additive synthesizer built with the Native Instruments Reaktor technology. Razor was created as a joint effort between Native Instruments and Errorsmith , a Berlin-based music producer and a well-known Reaktor instrument designer. Being a big dubstep fan that I am, this was more than enough reason to grab Razor and see what it can do. The interface is split into several familiar-looking sections for oscillators, filters, envelopes, LFOs, effects, etc. Anyone with basic understanding of how synthesizers work should be able to start experimenting with Razor right away, even without reading the provided manual nevertheless, reading the manual is always a good thing, and the Razor manual is very informative and well-written. However, even though the synth follows a classic design , each section hides a trick or two up its sleeve, making Razor a pretty unique sounding instrument. The oscillator section features two oscillators and offers a selection of 14 unique oscillator types. The amount of control depends on the selected oscillator type, as they all come with a specific set of parameters in addition to the standard volume, pitch and equalizer controls which are common for each oscillator type. The filter section is where things start to get really interesting. Along with several different lowpass filter types, it also features a variety of less common filter types like the comb, vowel and formant filters, among others. No matter how crazy I went with tweaking different filter parameters and trying different filter types, the results always ended up sounding like something that could actually be used in a track, at least as sort of a cool weird sound FX or a drone. The filter section also features a band vocoder which can be used to modulate the audio input signal, be it your own voice or something else. Razor has two individual effects sections , one covering a range of various dissonance effects which can be used to create non-harmonic sounds, and the other covering more standard effects like chorus, delay, reverb, etc.

I wasn't actually planning on using it at all.

Paired with powerful fine-tuning features — did somebody say Safe Bass? Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance. Mostly playing a supporting role in the full-spectrum pop arrangement, the bass leaps into the foreground in the verses for a series of lithe, precise pitch bends which steal the show. The Sheffield producer has long balanced an avant-garde sensibility with dazzling sonic clarity. When pushed to its extremes, Razor does just that. Everything but the drums here was made using Razor.

Childs IV on Jan 15, in Review 0 comments. If, either, you own Native Instruments' Razor, or you're thinking about purchasing it, now would be the time. Native Instruments recently updated the very popular Reaktor-based, additive synth to 1. And, with this update, there are some wonderful new additions on many fronts. The most exciting part of this update would have to be the new modules. My favorite new module would have to be the Resonant Reverb.

Native instruments razor review

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5. The pristine and extremely dynamic sonic character of additive synthesis allows Razor to generate a wide and very distinctive array of energetic, hypermodern sounds, ranging from expressive basses and leads to complex, futuristic soundscapes. Razor utilizes up to partials for its sophisticated sound shaping algorithms. The dual oscillator section provides a wide arsenal of timbres, ranging from typical analog-style waveforms to unconventional models like "Primes", "Sick Pitchbend" and "Hoover Sync". The two filter sections offers 20 different filter types including innovative formant, vowel and waterbed models. A further section provides an arsenal of unique "Dissonance Effects" that further contribute to the unmistakable, charismatic sonic footprint of the instrument.

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For example, the filters don't process an audio signal; instead, they adjust the partials directly. There are killer vowel and formant filters, and a vocoder option - route a sidechain signal into Razor for some of the gnarliest vocoding you'll ever hear. Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. Manage cookies Essential cookies. Stuttering and hypnotic, the track gives Razor a serious workout, showing both the cleanliness of its articulation and its potential expressive range. Share this article. So how does one use a Razor to create sound? As refreshing as it is phat, Razor makes additive synthesis not just palatable but downright desirable. Razor also includes a library of carefully selected presets with a focus on cutting-edge electronic sound aesthetics, accommodating both contemporary club music genres like Dubstep and Techno as well as modern film and game scoring applications. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. The second offers additive-fuelled takes on chorus, reverb, unison and more, with unique features such as the ability of the reverb to follow the pitch of the currently played note, preventing long tails from muddying the sound. Errorsmith says it was the sometimes not so subtle application of pitch bend that took the longest to perfect. Modeselektor feat. Caterina Barbieri — Fantas. Boring these are not, especially as each type has controls specific to it.

Paired with powerful fine-tuning features — did somebody say Safe Bass? Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance. Mostly playing a supporting role in the full-spectrum pop arrangement, the bass leaps into the foreground in the verses for a series of lithe, precise pitch bends which steal the show.

Reviews 23 Artists 40 Videos 1. Plus, learn how to use the reverse… Production February 6, Share this article. Many club scenes of the past decade have built Razor into their music, appreciating its bold, larger-than-life sound. Learn what melodic techno music is and how to make a melodic techno track that features melodic progressions, atmospheric sounds,…. How to make a melodic techno track Learn what melodic techno music is and how to make a melodic techno track that features melodic progressions, atmospheric sounds,… Komplete January 3, For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. However, it absolutely shines on Dubstep and styles that demand a more digital style that simply is impossible on a subtractive synth. We use cookies and similar technologies to recognize your preferences, as well as to measure the effectiveness of campaigns and analyze traffic. Its job is to put a gentle twist on the classic bass sound, and it does so neatly and unfussily, striking a balance between weight and precision. Modeselektor feat. As refreshing as it is phat, Razor makes additive synthesis not just palatable but downright desirable.