Minolta 35mm slr

The examples were in two categories that I felt a newcomer would enjoy using; 35mm point and shoot cameras and minolta 35mm slr SLR cameras. I recommended that the cameras be modern and capable of auto-exposure, minolta 35mm slr, multiple shooting modes, and auto-focus to better help newcomers make as few mistakes as possible. This is not necessarily the route that I took when I came back to film after a 15 year hiatus. I went more primitive with it.

My personal SRT had clearly seen a lot of these — the film door had to be coaxed into closing, the viewfinder had a crack in it, and the meter needle drooped in depression. It was smaller and lighter than the SRT, had a much improved meter and a variety of metering modes. Best of all, this one-time flagship camera was now available for a song, and could often be found for about a hundred dollars. I found myself in such a situation after winning a batch of cameras for less than thirty dollars. I bought the lot just to get at the gem hidden within, a Minolta XD. When the camera arrived, I sent it off for a full tune up without delay.

Minolta 35mm slr

Minolta Co. It made the first integrated autofocus 35 mm SLR camera system. In , the company adopted its final name, an acronym for " M echanism, In struments, O ptics, and L enses by Ta shima". In , Minolta merged with Konica to form Konica Minolta. On 19 January , Konica Minolta announced that it was leaving the camera and photo business, [2] and that it would sell a portion of its SLR camera business to Sony as part of its move to pull completely out of the business of selling cameras and photographic film. Relying heavily on imported German technology, Nichi-Doku turned out their first product, a bellows camera called the Nifcarette , in March Chiyoda Optics and Fine Engineering, Ltd. In , the Minolta was introduced. It is based on the Leica rangefinder camera concept with the 39mm screw lens-mount. It uses the standard 35mm film in cassettes. The standard lens is the Super Rokkor In , Minolta developed a planetarium projector , the first-ever made in Japan, beginning the company's connection to astronomical optics. In the late s and s, Minolta competed in the medium-format roll film camera market with the Autocord series of TLR twin-lens reflex cameras. In , Minolta introduced its SR-2 single lens reflex SLR 35mm camera which was equipped with a bayonet mount and instant return mirror.

Fast startup times are one potential benefit of this design since nothing minolta 35mm slr to extendbut slow focus and shutter lag times marred the advantage of this innovation. The grip feels so good.

It produced cameras for many film formats, from 16mm film to medium format. In the s Chiyoda, as it was then called, ventured beyond production of cameras and binoculars into business services, and eventually into photocopiers. Most branches of the company were related to optics: the copier branch, the exposure meter branch, etc. Minolta was succeeded by Konica Minolta after the merger with Konica in It was followed by the Nifcaklapp and Nifcasport folding cameras and by the Nifca-Dox strut-folder, all taking film plates or pack film.

The examples were in two categories that I felt a newcomer would enjoy using; 35mm point and shoot cameras and 35mm SLR cameras. I recommended that the cameras be modern and capable of auto-exposure, multiple shooting modes, and auto-focus to better help newcomers make as few mistakes as possible. This is not necessarily the route that I took when I came back to film after a 15 year hiatus. I went more primitive with it. I mentioned this choice in my last article , and it elicited some comments from our readers who thought that my way was not the best way.

Minolta 35mm slr

It was aimed at demanding amateur and semi-professional photographers. The SR-T stayed in production for ten years with only minor changes. The design is based on the Minolta SR-7 model V camera of , but the principal design is inherited from the original Minolta SR The most significant one is perhaps the full aperture metering facility, allowing the exposure to be set accurately without stopping down. Another unique feature of the SR-T besides the open aperture metering at the time of its release to the public at Photokina in was the so called "CLC"-metering characteristic. Therefore the metering system always detects an average of the light travelling through the lens, determined by the contrast division of the metered motive. Landscape photographs with a large area of bright sky and a smaller area of dark ground, for example, are automatically corrected by the contrast-matching "CLC"-metering system. This system works for almost every landscape-format image regardless of the metered contrast range, but requires a much more skilled usage when it comes to portrait-format images. Because of this, Minolta recommended SR-T users to first meter the photographed area and then to swing up the camera for taking the picture to enable the "CLC" an accurate metering. Due to a large pentaprism and double-hinged reflex mirror, the SR-T has an extremely bright viewfinder with a central micro prism focusing aid that in most cases proves to be appropriate, requiring no apparent lines in the motive, since all out of focus objects appear to shimmer.

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James Tocchio June 4, at pm. External Donate! Share this post! Instead, a degree mirror bounces light to a conventional zoom lens safely tucked inside the camera body. That piston gets clogged by excessive dirt over a time and slows down, thus increasing the shutter lag. Dropped the camera when trying to hold it with two layers of gloves on a windy ferry ride, and the AF screw drive broke. Switching to the green shutter priority only required that the photographer switch the aperture on the new MD Rokkor lenses to the minimum aperture, which was also in green on the lens barrel. With the Maxxum line, the heavy duty metal bodies of earlier Minoltas were abandoned in favor of lighter and less expensive plastics. A few days later the weather was much brighter with plenty of sunshine, I loaded my second roll of Kentmere and retraced my route to get a good contrast between the two films. Faszinierende Fototechnik mit der neuen Minolta-Generation. It produced cameras for many film formats, from 16mm film to medium format. It added other features such as a histogram , and the cameras were compatible with Minolta's flashes for modern film SLRs. Oh, and definitely get another shelf. I have seen them in photos and videos, of course, but never in real life. Where did you get your XD serviced?

First of the line was the SRT, a first that came with a full aperture through the lens metering, and a meter coupling system that introduced the MC Meter Coupled series of SR mount lenses.

Josh January 15, at pm. Well that cover has pretty much been blown by now. The civilian camera production was stopped around The examples were in two categories that I felt a newcomer would enjoy using; 35mm point and shoot cameras and 35mm SLR cameras. Dropped the camera when trying to hold it with two layers of gloves on a windy ferry ride, and the AF screw drive broke. Wikimedia Commons. Minolta continued to offer 35 mm manual focus SLR cameras in its X, X, and X from , but slowly repositioned its cameras to appeal to a broader market. Unsourced material may be challenged and removed. In , Minolta launched the CLE , a rangefinder camera with M-mount, the first one to have aperture-priority automatic exposure. Now the search for a lens has started! I happily link to Casual Photophile.