John moulder brown married

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A British—West German co-production, filmed in London and Bavaria, and written and directed by a Pole, you might question this being a British film. Beware, though, that a number of smaller roles went to German actors and some of their dubbed dialogue veers towards the dodgy at the start of the film. Shy, inarticulate and clumsy, Mike John Moulder-Brown , is fifteen but comes across as immature even for that age. Fresh out of school, he finds employment as a male attendant at a municipal public bathhouse and pool. His first experience of this comes via a middle-aged platinum blonde Diana Dors who visits to get some sexual kicks by pathetically trying to enact a George Best fantasy with a clearly confused Mike.

John moulder brown married

Sign In Sign In. New Customer? Create account. John Moulder-Brown Actor. Play trailer Vampire Circus Contact info Agent info Resume. Add to list. View contact info at IMDbPro. Photos Known for:. Deep End.

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Moulder-Brown was born in London and began his acting career as a child. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects.

The wholesome, sensibly glamorous, well-spoken redhead whom TV viewers in their thirties or beyond may remember as the face of McVitie's biscuits or as Jeremy Irons's fussy, ailing wife in Brideshead Revisited, is a long way removed from her role in Skolimowski's soon to be re-released film. Deep End is a swinging s British coming-of-age story with a morbid and darkly erotic undertow. Skolimowski was a Polish poet and former boxer whose career has always unfairly been overshadowed by that of his close friend, Roman Polanski for whom he wrote Knife in the Water. She relished working with the Polish director. I didn't know much else about him. He is very charismatic, very attractive and very Slavic. On set, she relished his eccentricities and his willingness to collaborate.

John moulder brown married

I had problems in Poland with my film Hands Up! It had a strong anti-Stalinist message and the government withdrew it from the Venice film festival and banned it. So I took the first available project, just to make a living. The studio made us come to London for editing. While there, a Polish friend told me a story about something that had just happened: a diamond was lost for ever after being dropped in snow. Then I worked backwards. Where could you melt snow? Ideally, a swimming pool. Where do you find this swimming pool? Finally, we arrived at a story about public bath attendants.

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Made in and generally released one year later, its only appeal to Brazilian exhibitors was the fact that, largely on account of Antonioni's Blow-Up having been such a big hit, films having to do with modern life in London had a huge following. I added a comment before but in anonymous because I only had an instagram account, I don't know if you ever had read it, but I was surprised when I found about this essay you wrote for John, but It's good to see that there are people out there still loves and appreciate John's work, he's my all time favorite actor, that's why I made a fanpage for him on twitter and instagram. I believe he had had an offer back in the early 's from a huge Agency to move to Los Angeles,but refused it, thinking Europe would have offered better quality films,more freedom. When we worked together, he seemed so generous,capable of depth,protective, like an older brother would have been! I hope you get it all right. Paramount who was handling the sales of the Skolimowski's films never made a decent DVD package of a masterpiece like "Deep End" for many,many years! Great actors have failed. Anyone who cares for actors has his own private totem pole--or maybe not, considering that lots of people would probably listen to this whole business of totem poles with actors faces carved on them, laugh their heads off and call it "phony as hell. Mother Sky is pretty disorientating too. The Mill on the Floss. But that shining face up there, so young and intense, so charged with that inexplicable kind of magnetism that won't let you look away, ready to take you on a journey to places that only this kind of actor knows how to reach, that is the face of John Moulder-Brown.

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Gosh, it was full of typos and errors! Anyone who cares for actors has his own private totem pole--or maybe not, considering that lots of people would probably listen to this whole business of totem poles with actors faces carved on them, laugh their heads off and call it "phony as hell. As a way to get going, I joined a drama workshop where I was lucky to be accepted in the class of a fabulous teacher named Maria Vorhees, who had lived for almost thirty years in America, where she studied with Uta Hagen. On that day I wrote him a letter. A few succeeded. Credits Edit. A British—West German co-production, filmed in London and Bavaria, and written and directed by a Pole, you might question this being a British film. The author of this journal entry can be contacted at waitsfortherain gmail. John Moulder-Brown Actor. Actors either give them total credibility or fall flat. I'm very sorry I didn't see this comment when you sent it. Fresh out of school, he finds employment as a male attendant at a municipal public bathhouse and pool. I must be wacko. Sometimes, it is more meaningful to be an ephemeral myth, than someone used and abused by dozen of bad films.. June 3 , London, England, UK.