Jat embroidery

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti.

In the Gujarat state of India, the Kutch region is renowned for its fine folk, colourful and mirrored embroideries. Traditionally stitched by village women, for themselves and their families, to create festivity, honor deities, or generate wealth, this craft has passed on for generations from mother to daughter. While embroideries contributed to the substantial economic exchange required for marriage and fulfilled other social obligations which required gifts - unlike most crafts they were never commercial products. Each community in Kutch , due to historical, socio-economic and cultural factors, has a distinct tradition, its own and unique style of embroidery, different motifs, combination of stitches, patterns and colours that give them a visual identity. The identity of every Kutchi person is woven in the stitches of these embroideries. Things seen in daily lives: flowers and bushes, peacocks and camels, women doing household chores and men tending to cattle, all these are inspirations for these beautiful designs.

Jat embroidery

Dhanetah Jat women design and produce exquisite, labour-intensive embroidery. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth. Each embroidery is a unique expression of the woman who made it. Size is approx. Features: Hand embroidered Dhanetah Jat piece set on a silk backing. There is a sleeve sewn along the top and bottom at the back that could be used to fit a dowel or rod for hanging. For centuries embroidery has been an expression of personality The language of stitches builds within a community over hundreds of years. It is a source of identity that is transferred from one generation to the next. It is learned in the same way a spoken language is learned; with children sitting beside the adults. In an oral culture the stitched language records everything of importance from the epic to the personal. Maiwa works with embroiderers through many co-operative structures within India.

Khaarek embroidery fills the entire fabric.

Kachchh Embroidery. See Kachchh Embroidery. In Maiwa staged an exhibition of Kachchh embroidery. Read about that exhibition here. Below, meet some of the communities Maiwa works with:.

It is rightly said that Gujarat has given India the greatest heritage in embroidery work and craft through its famous and versatile Kutch embroidery. The hub of the Kutch embroidery work is basically located in the regions of Kutch and Saurashtra wherein the local artisans churn out the most creative and exquisite designs. From mirror and bead work to Abhala embroidery along with the usage of silk threads of bright colors, the Kutch embroidery basically ornate the entire fabric and embellishes it completely. The impeccable designs of Kutch embroidery is a tribute to Rabaris, a nomadic tribe that crafted the art of Kutch embroidery which is now an artwork of international repute. Kutch embroidery has been there for centuries and in the 16th and 17th centuries Kutch embroidery pieces were exported by western countries. It is also believed that mochis or shoemakers were taught Kutch embroidery years ago by a Muslim wanderer in Sindh and that is what started the tradition.

Jat embroidery

The Kutch Embroidery is a handicraft and textile signature art tradition of the tribal community of Kutch District in Gujarat , India. In certain patterns, it is also crafted over silk and satin. The signature effect of the colorful embroidery sparkles when small mirrors called abhla are sewn over the geometrically shaped designs. Depending on the tribal sub groups of Rabari , Garasia Jat , and Mutava involved with this craft work many hand embroidered ethnic styles have evolved. History of the Kutch Embroidery is traced to the 16th and 17th centuries when people migrated from the countries such as Afghanistan, Greece, Germany, Iran and Iraq to Gujarat. It became a generational art with the skills taught from mother to daughter.

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Women embroidery artisans of Qasab partnered with camel herders to speak out through their work. The Jats were pressured by the government to settle and found themselves on the least fertile land. Motifs are never drawn: each artisan imagines her design and then counts it out in reverse! Mutwa women live under the very strict code of conduct known as "purdah" which governs all interactions between men and women. Maiwa has attempted to keep these relationships alive by creating a market for contemporary versions of the Rabari shawl. It is a source of identity that is transferred from one generation to the next. Khaarek Khaarek is a geometric style also counted and precise. Rabari are expert camel breeders, cattle herders and shepards. Due to the India-Pakistan war, the Sodhas fled Sindh and were settled into government village camps in Rapar and Bacchau districts of Kachchh where they continue to live. The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content. Over time as a community grew too large for the environment to sustain, they would divide and a subgroup would migrate to a new region. The women embroider, design, market and innovate as entrepreneur artisans. Pastoralists live in intimate contact with their animals. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth.

Kutch Embroidery It is rightly said that Gujarat has given India the greatest heritage in embroidery work and craft through its famous and versatile Kutch embroidery.

The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs. Khaarek Khaarek is a geometric style also counted and precise. Below, meet some of the communities Maiwa works with:. Paako , literally meaning "solid", is a tight square chain and double buttonhole stitch embroidery, often with black slanted satin stitch outlining. Under these conditions they create the exquisite embroidery with tin mirrors and minuscule stitches that distinguishes them from other communities. Kachchh Embroidery. This is a common feature with all desert communities. Today, they serve as reference pieces for new work. Most men now work as labourers. Becoming members of KMVS was an important step for the Sodhas as in many families embroidery is their only source of income. Silk Khadi-Suf stole. Contemporary Kutch embroidery panel.