Gods in color

We often think of ancient statues as the white stone figures that have long dominated museum collections.

Although the classical ideal usually evokes unadorned bronze and white marble sculptures, the art of ancient cultures was often painted to dazzling and powerful effect. Thanks to modern science, we can discover what pigments were used and how these sculptures would have originally looked. Gods in Color presents reconstructions of well-known sculptural works from ancient Greece and Rome to uncover their original colors and uncover the spirit of classical civilizations as never before. These are complemented by original antiquities from the Mediterranean world and early nineteenth-century watercolors that provide a more comprehensive view of polychromy in ancient cultures. To find out more about the exhibition, explore this digital offering from our friends at the the Liebieghaus in Frankfurt. The art of ancient cultures was often painted to dazzling and powerful effect.

Gods in color

Imagine a stroll through ancient Athens among colorful statues and brightly decorated temples—in contrast with the colorless stone ruins that survive today. This exhibition presents full-size copies of Greek and Roman sculpture whose painted decoration, faded over the millennia, has been painstakingly reconstructed. The color reconstructions—based on close examination and scientific analysis of the scarce traces of paint remaining on the surfaces of the originals—include a number of well-known masterpieces, such as the Peplos Kore from the Athenian Akropolis, pedimental sculpture from the Temple of Aphaia on Aegina, and the so-called Alexander Sarcophagus. The exhibition opens up a world of richly attired deities, proud warriors, and barbarians in dazzling costume and dispels a popular misconception of Western art: the white marble statue of Classical antiquity. A brochure accompanies this exhibition. Close Modal. Your Collections Select a collection. Collection Name. Username or Email. September 22, —January 20, Arthur M. Sackler Museum.

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Its subject is ancient polychromy , i. The exhibition is based on the conclusions drawn from research on ancient polychromy, conducted especially by the Classical archaeologist Vinzenz Brinkmann since the early s, based on earlier works by Volkmar von Graeve. It displayed copies of ancient sculpture in their reconstructed and painted appearance that had been produced during his studies, as well as new reconstructions created especially for the exhibition, in conjunction with the originals or comparable ancient sculptures. Soon, the exhibition began to travel to other cities in Germany and beyond. Since , the exhibition and underlying research has received support from a foundation created by the government of Bavaria , as well as private donations. After the original German catalogue produced for the Munich exhibition, new editions were issued for later showings, most recently for the one in Frankfurt. An English catalogue was published for the — showing in the Arthur M.

We often think of ancient statues as the white stone figures that have long dominated museum collections. But in recent years, the public has been reawakened to the fact that many of these antiquities were once brightly colored. In the exhibition "Gods in Color - Golden Edition," which features over painted sculptures in Frankfurt's Liebieghaus museum, visitors can witness the polychromatic transformation of ancient statues and experience their original, eye-opening bright hues. Since beginning his research in Athens 40 years ago, Brinkmann has been studying the colors of ancient sculptures and brings his specialist expertise to the exhibition. They no longer had any color.

Gods in color

Ancient Greek and Roman sculpture was once colorful, vibrantly painted and richly adorned with detailed ornamentation. Exploring the practices and materials used in ancient polychromy, the exhibition highlights cutting-edge scientific methods used to identify ancient color and examines how color helped convey meaning in antiquity, and how ancient polychromy has been viewed and understood in later periods. The exhibition features a series of reconstructions of ancient sculptures in color by Prof. Presented alongside original Greek and Roman works representing similar subjects, the reconstructions are the result of a wide array of analytical techniques, including 3D imaging and rigorous art historical research. Polychromy is a significant area of study for The Met, and the Museum has a long history of investigating, preserving, and presenting manifestations of original color on ancient statuary. Using a combination of analytical techniques, conservation scientists studied the preserved color on an ancient Roman head at the British Museum.

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Read more. Authority control databases. Travelling exhibition. This exhibition presents full-size copies of Greek and Roman sculpture whose painted decoration, faded over the millennia, has been painstakingly reconstructed. VIAF 2 3 4. Retrieved 7 December This exhibition and its catalogue present reconstructions of well-known sculptural works dating from Bronze Age Greece to Imperial Rome BC — second century AD , reinstating these bright colors to familiar works and uncovering the spirit of classical civilizations as never before. Experimental color reconstruction of the so-called Winckelmann -Artemis from Pompeii next to the original marble statue, Frankfurt Liebieghaus. Sackler Museum. Norway Germany 2 3. Polychromy gave increased depth of cultural and artistic expression. Experimental color reconstructions of the marble portrait of Roman emperor Caligula in the Ny Carlsberg Glyptotek , Liebieghaus Frankfurt. At the same time, the simplicity of colorlessness fit with the popular ideology of the period. White or monochrome sculpture would have been as strange to the ancients as the color reconstructions might seem to us.

When you picture God in your mind, what does He look like?

Show more stories. Gods in Color emphasizes how ancient sculpture is incomplete without color. In the 19th century, large excavations on the Acropolis in Greece caused further upset. Additional support is provided by Bernard and Jane von Bothmer in honor of Dr. Experimental color reconstruction of the Greek grave statue of Phrasikleia, Liebieghaus Frankfurt. Legion of Honor Open today am — pm Plan your visit. To find out more about the exhibition, explore this digital offering from our friends at the the Liebieghaus in Frankfurt. Read Edit View history. Experimental color reconstructions of the marble statue of a Greek Muse in the Frankfurt Liebieghaus. Experimental color reconstruction of the two bronzes from the Quirinal hill in Rome, Liebieghaus Frankfurt. Contents move to sidebar hide. Tools Tools. Since , the exhibition and underlying research has received support from a foundation created by the government of Bavaria , as well as private donations. This exhibition and its catalogue present reconstructions of well-known sculptural works dating from Bronze Age Greece to Imperial Rome BC — second century AD , reinstating these bright colors to familiar works and uncovering the spirit of classical civilizations as never before.