Daisy hoppen

Our newly single British heroine, who runs her own fashion PR company, has just moved to a flat overlooking Highbury Fields in north London when the pandemic strikes. Every morning at 7, daisy hoppen.

My father collects stuffed animals: we had a full-scale crocodile in the hallway, and love birds in a giant cage; our cat would sleep on top of it. We also had things like old fairground memorabilia, a jukebox, big velvet sofas and large Moroccan rugs. It was eclectic but very beautiful. Growing up, there were lots of forward-thinking photographs on the walls. But the art and photography at home were always changing because he would often buy things and then sell them on. But Vincent has brought me round to the idea of clean spaces. Without him, this place would look so different — it would be full of clothes.

Daisy hoppen

DH-PR work with a global network of Talent, Influencers, Industry Figures, Creative and Editors spanning a range of projects including seeding, red carpet dressing, and event attendance. We plan each project with a bespoke approach, tailored to the needs of individual clients, through curated strategies and creative networks. Values Statement To always be kind, conscious and inclusive. Mission Statement To strive to always better ourselves and the industry we contribute to, and apply a bespoke and considered approach to all that we do. We commit to an inclusive and representative mix of participants without our projects and to being an equal opportunity employer. We recognise that we have a responsibility to the environment beyond legal and regulatory requirements. We are committed to reducing our environmental impact and continually improving our environmental performance as an integral part of our business strategy and operating methods. We will encourage clients, suppliers and other stakeholders to do the same. This Environmental Policy sets out our aims.

Oliver connected me with a company called Daisy hoppen and Maike that creates bespoke solutions for things like this. More guests joined after the dinner for an evening of dancing courtesy of Robin Katz and his band, followed by a DJ set from Louise Chen, daisy hoppen, a friend of the bride with the perfect mix of Anglo-French tunes to get the party fizzing on the mirrored dancefloor.

With a sense of confusion, a designer asks themselves the question: do I need a PR? The answer, more often than not, is a series of questions. What for? Why now? Having grown up in South London, daughter of the renowned photography gallerist Michael Hoppen, she studied at the University at Leeds before immersing herself in the world of PR, first for a jeweller, then at Purple PR, followed by Karla Otto.

In recent years the town has also seen incredible regeneration with old tram sheds becoming spectacular exhibition halls, a Frank Gehry tower and a new Van Gogh Museum which holds impressive shows alongside their own Van Gogh collection. I have always admired Gary Card for his bold and brilliant sculptures and art pieces, and have been lucky enough to see a number installed at Dover Street Market over the years, including his bizarre but beautiful chandelier at the recently opened Los Angeles store. Momentous changes were occurring, and he recorded them for African-American newspapers across the country, creating over over five million images in the process. Coco Bayley is one of my go-to in-the-know foodie friends — this month, design dealer Jermaine Oscar Gallacher launches a new space titled Lant Street in collaboration with her, along with Lant Street wine merchant Ben Wilcock. Primarily open on Friday nights, the bar will serve only wine red, white, pink and champagne and crisps — what more do you need? Lant Street will, simply, be a place you can enjoy a glass of wine among beautiful things, after work, before dinner… or all night. For anyone who works in central London the question is always where to go for dinner that you can book or not queue for three hours in a tiny street in Soho. I have been obsessing over Andrew Scott since his turn as handsome priest in season two of Fleabag. A story of an actor embarking on a tour amid the chaos of his day-to-day life, it explores love, sex, panic, anxiety and identity crisis, and has got rave reviews.

Daisy hoppen

Curated by Francesca Gavin and part of a wider programme around sustainability, the exhibition looks at the organism in visual culture, as well as the fantasy, psychedelic and spiritual fascination that we have with it — from eating it in a delicious plate of food to out-of-body experiences. Everybody has their own tales to tell about the humble mushroom. When Somerset House approached me to do a show it was a natural fit with their current focus on ecological awareness.

Gamesfaqs

I like to get them all out on my little condiments tray. When someone emails them with a request, when a big stylist loses their garment, or when any media emails them — they are worried about burning relationships from the very start. I think we are lucky to have those platforms like the BFC or Sarabande. Interviews — May How many of you pay for your content? When I first started my business, I set up an office in the attic of his gallery and worked at it. As a wedding gift, he and his team set up an impromptu photography studio at the venue to capture wedding portraits of the couple. He has a very strict policy that if I bring something new in, something else has to go out. The editors and guests also felt the same I think; no one wants to go to the same event every time. It comes down to that every single time. Mission Statement To strive to always better ourselves and the industry we contribute to, and apply a bespoke and considered approach to all that we do. Find out where you and your friends are actually reading your news and finding your content. The other old-fashioned element?

All products on this page have been selected by our editorial team, however we may make commission on some products. For spring, it will be perfect over a mini dress. They are new to the brand and simply stunning.

Brands that know their identity get me excited. I did about seven loads of washing the day before because I felt so anxious. So we put a slight pause on some events and looked to work out what felt interesting. I also do a lot of check-ins — like weekly or bi-weekly calls with clients, just to give them a continuous update. D: I feel very lucky, because I work with brands, clients and creatives who constantly keep me on my toes. D: You should always be able to say no. By Rebecca Cope. And when I do see that, I get very excited. With a sense of confusion, a designer asks themselves the question: do I need a PR? The ins-and-outs of fashion PR with Daisy Hoppen. I do think monthly reports are helpful.