Ceramic glaze ideas

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One of the great things about ceramic arts is the nearly limitless ways you can express your creativity. Pottery glaze lets you add unique colors and textures to your pieces prior to firing. It is a great way to design a piece that is crafted to your artistic style while also defining how you like your finished ceramic pieces to look. Dipping is the easiest way to cover pottery and is done by most at some point. This form of glazing will give the finished piece a smooth look and fine texture. You can either dip your piece into the glaze twice as a base layer before decorating, or, to achieve a more solid look, you can dip the piece more often to create a thicker layer.

Ceramic glaze ideas

If you've seen anything I have made in the last several years, you know that I'm a little bit obsessed with cool ceramic glaze colors. And by "cool" I mean blues, greens, and turquoises, like these bottles by Lucy Burley. So today, I thought I would share some samples of the ceramic glaze colors I obsess over. Linda Bloomfield explains the chemistry behind cool ceramic glaze colors ranging from the palest yellow-greens to some terrific teals in this excerpt from her book Colour in Glazes. Plus she shares loads of pottery glaze recipes for all firing ranges. Today we still use copper oxide to make green pottery glazes. We now are more acutely aware that the color is affected by the kiln atmosphere and the flux used in the glaze. In reduction, copper reds can be achieved in alkaline glazes containing tin oxide. Copper is volatile, occasionally causing pink flashing on surrounding pots. In oxidation, alkaline glazes with low alumina will give bright turquoise glazes with copper. Other oxides can be added to change the color: iron for yellow-green, nickel for olive green, or ilmenite for blue-green. Turquoise can also be obtained using vanadium zircon stains, which are opaque. Chromium oxide gives a reliable green, unaffected by kiln atmosphere, although it is volatile at high temperatures. Cobalt and chrome combine to make teal blue-greens.

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Glazing is my favourite part of the process by which I mean developing and testing glazes, the actual dipping and pouring is less interesting but I know a lot of potters dread it. There is no substitute for time spent testing. Depending where you are on your glazing journey, this could mean a variety of different things. You ideally should know:. What each glaze looks like at various thickness. Some glazes are totally different at different thicknesses, some are identical. You need to know if a glaze result requires a certain application.

Sara D'Souza is a potter and writer with over seven years of experience designing, exhibiting, and selling her own pottery designs. Her ceramics have been shown in U. Glazing your ceramics serves several purposes. Not only does it add a safe, sealed coating to your bisque-fired wares—making it waterproof and food safe—it also brings your work to life with any color you wish to create. The possibilities of glazing are endless and the techniques and patterns you can create with them have no limit. Glazing can take an ordinary ware and make it a work of art. However, with all that possibility also comes a lot of decision making.

Ceramic glaze ideas

The different glazes available for Pottery and Ceramic projects vary widely. The content here will focus on helping you select the right glaze for your projects without all the chemistry mumbo-jumbo. Browse to learn glaze basics, different application techniques, what to look for when selecting a glaze, or glaze recipe… and a round up of some favorites! Knowing the basic glazing techniques and types you can choose from or combine! Helpful reading before you consider pottery glazing ideas in more detail! For this reason, I want to mention food safety as a primary consideration for your glaze selection. Depending on the intended us of your pottery, this can be the most important thing to confirm when selecting a glaze.

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View this post on Instagram. Cobalt and titanium or rutile can produce a pale green in high-alumina glazes and slips. In the presence of tin oxide in calcium glazes, chromium turns pink. Next, mix a little bit of a mason stain with apple cider vinegar. Mocha diffusion is a finishing technique that emulates small organic veins or tree-like forms. Clean off any dust before glazing. Using a paintbrush, drop the mixture on top of the slip. Ash glazes are often green, when fired in reducing conditions, the color coming from iron oxide present in the ash. There are also many sponge types for you to choose from to create textures as well. Stippling is done when shadow effects are needed or if you want your glaze to have the look of being painted on. Spraying The spraying technique is an efficient way to use all of your glazes, even when the container is almost empty. Most of us have our recipes scattered around our studios on scraps of paper, but with Ceramic Recipes, they can be organized and easily accessible through a phone, tablet, or computer. Topics: Glaze Chemistry. Have a plan before you start! Kyla Toomey's Satin Matte Clear.

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Clear glazes generally benefit from being thin to limit cloudiness and bubbles. Chrome and tin are combined with calcium and silica to make a chrome-tin pink stain widely used in glazes, although this is not as stable as zircon-based stains. Looking to try other pottery techniques? Brushing can be used as both a base layer and for decorating. For best results, use a contrasting underglaze and glaze combination. Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University AOEU or its academic offerings. Excerpted and adapted from Colour in Glazes by Linda Bloomfield. I also have an hour hold at c at the start of every firing to fully dry out everything, just in case. Sponging is a simple technique that blends colors or creates a unique textured area. Tiles look different the next day When layered glazes crack: deflocculate! I wipe everything with a damp sponge before glazing. Try to keep an open mind when evaluating results. If you've seen anything I have made in the last several years, you know that I'm a little bit obsessed with cool ceramic glaze colors. Start by adding about three spoonfuls of water to a container, followed by three drops of soap.

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