Alexander mcqueen ss 2019

For spring, Burton and her design staff visited several hallowed shrines of British paganism, including Silbury Hill and Avebury Stone Circle, sites where humans left indelible marks on nature, and where now, hundreds of years later, the two forces seem indelibly joined. She came away with a new take on her compelling, alexander mcqueen ss 2019, long-running heroine. Alexander mcqueen ss 2019, she projects an archetypal warrior goddess whose strength and gentleness manifest in unison, via, on one hand, strict tailoring, corsetry and harnesses, and on the other, gentle dresses with a look of ancient-world dishabille. Details Gallery 31 Photos View Gallery.

The voices of women deserve a far bigger hearing—in fashion, as in life. Sarah Burton holds that feeling to heart in a way that strives to connect deep history—eons of it—with the present. Tenderness and strength together. She is not one to cut and paste her research. The shape of a Victorian wedding dress, bought at Portobello Market, was one source of the show.

Alexander mcqueen ss 2019

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Burton laid it flat, covered it with flowers and had it photographed.

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Collection Gallery 42 Photos View Gallery. With the European runways now flooded with streetwear — when will it stop? Burton showed her hard-edged shapes with chisel-toed and Chelsea boots and shoes with angular finishing. Coats are always statement making at McQueen and other standouts included camel ones with satin backs and trenches that were hacked in half, one part black and one part khaki. Other pieces were slicked with abstract brush strokes: white embroidery on a black coat, with hanging fringes resembling paint, or blood red on a dark suit. Other suits sparkled with graffiti prints, while a black leather biker combo was adorned with splodges of bright color.

Alexander mcqueen ss 2019

Inside, guests discovered a monolith reproduction of the Neolithic Avebury henge. Less known — and less touristy — than Stonehenge, the Wiltshire circle, with its shorter, rounder stones, is widely thought by archaeologists to reference femininity. It is also considered a place of religious importance by contemporary pagans.

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Collection Gallery 42 Photos. TommyNow Spring Ready-to-Wear. Kudos to Burton, too, that she has expanded her casting to inclusivity of shape and diversity. Please log in. Spring Ready-to-Wear. Look 8. Look 9. So it seems nitpicky to find fault. Tough-and-tender looks paired frothy dresses with a cutaway leather coat and apron. Sarah Burton holds that feeling to heart in a way that strives to connect deep history—eons of it—with the present. A white trouser suit had a broderie anglaise cotton blouse falling to an asymmetric flounce, inspired by antique christening dresses. Sign up for WWD news straight to your inbox every day. View saved images in My Account. The shape of a Victorian wedding dress, bought at Portobello Market, was one source of the show.

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My Account Welcome Name. For spring, Burton and her design staff visited several hallowed shrines of British paganism, including Silbury Hill and Avebury Stone Circle, sites where humans left indelible marks on nature, and where now, hundreds of years later, the two forces seem indelibly joined. View Gallery 42 Photos. Look 7. To find tactile, experiential inspiration for the rest, Burton had led her team out of the enormous new plate-glass offices of Alexander McQueen in London and taken them to see what they saw and felt among the ancient monuments of the English West Country. Collection Gallery 42 Photos View Gallery. One dress, in white with a soft floral pattern derived from an old wedding dress. She is not one to cut and paste her research. Powered by WordPress. She is a storyteller, and a passionate one. The voices of women deserve a far bigger hearing—in fashion, as in life. A white trouser suit had a broderie anglaise cotton blouse falling to an asymmetric flounce, inspired by antique christening dresses.